Milan’s Wild‑Billed Bull Gets a Face‑Lift
The Galleria Vittorio Emanuele II, a nineteenth‑century arcade known for its marble floor, features a prancing bull mosaic flanked by a city coat of arms. The animal’s perspective struck a chord with locals and tourists alike. A tradition—spinning heels over the bull’s testicles three times—believed to bring luck, has left a small crater in the stone.
Last week, artisans took to the mosaic’s damaged section to replace worn tiles. The work involved hand‑cutting lighter marble pieces to restore the bull’s losing area. Though the restoration is still under way, a local councilor posted that the mosaic had been "completely restored," prompting users to question what happened to the bull’s testicles.
The council clarified that the mosaic’s testicle zone had not been removed. A pink marble, closely matching the original hue, was used for the new tiles. A darker marble from a 2017 restoration remains visible. The council also noted the mosaic is partially covered, allowing the fresh colors to settle.
Restorer Gianluca Galli told the Corriere della Sera that the work was still in progress and that no objections had been raised under the council’s oversight. The online chatter—ranging from a mockery of a possible ‘castration’ to a simple call for clarification—has highlighted the curious intersection of heritage preservation and internet culture.




















