**Kate Nash Reveals OnlyFans Plans Amid Touring Challenges**

**Musician Kate Nash discusses the financial struggles of touring and how her new OnlyFans venture may offer a more lucrative path in an industry that often undervalues artists.**

In a candid interview, singer-songwriter Kate Nash revealed her strategy for financial sustainability during a challenging time for touring artists. The musician, known for her 2007 hit "Foundations," expressed optimism that her newly launched OnlyFans account could generate greater income than her live performances. Nash's announcement, which she promoted under the catchy slogan "Butts for tour buses," highlights the economic pressures facing artists today, noting that "touring often results in losses rather than profits."

Reflecting on her decision, Nash stated, "I view it as a punk protest — taking control of my body to fund my passion, which has been my music career for 18 years." This provocative stance encourages discussion about the music industry's current landscape, especially regarding the profitability of live performances. Despite recently completing a three-week US tour and kicking off her UK dates in Glasgow, Nash admitted to struggling financially even as she sells out venues like London's famed Koko.

"I'm losing money from those tours," Nash told BBC News, emphasizing the limited options artists face to cover costs - from selling merchandise to cutting crew wages or risking safety. "So is this a job, or just a passion project? It’s a tough question."

Nash, who released her fifth studio album in June, also championed the importance of empowerment for women in the industry. "There’s no shame in embracing and monetizing sexuality," she said, while ensuring the content on her OnlyFans would remain tasteful. "I think my backside is a fusion of humor and allure — it’s something I genuinely enjoy."

The singer's comments come amid a trend in which other artists, such as Lily Allen, have found more financial success through platforms like OnlyFans than from traditional music revenue streams like Spotify. Nash noted that many artists are struggling to earn a fair wage, even as ticket prices for festivals and events continue to rise.

"Festival ticket prices have soared, yet artist fees have stagnated," she pointed out, underlining the disconnect in the industry. Nash remarked on a survey indicating that most artists have not experienced an increase in earnings despite inflationary pressures.

As more musicians face the harsh realities of touring, Nash believes there are valuable lessons to be learned from sex workers who effectively control their narratives and income online. "Artists must explore how to empower themselves in the same way," she concluded, highlighting a need for change in how art is valued.

With an industry increasingly skewed towards profit for a few, Nash's approach offers a glimpse into a future where artists take control of their financial destinies — even if it means turning to unconventional revenue streams.